The Business October 31st 2012, The "BOOsiness SPOOKtacular Edition of the Damned" Edition

How could there be a better place to spend Halloween than a theatre called the DARK ROOM? The Business is ready for the holiday, we have our candy, our costumes and our post victory parade riot gear all set.

Come one, come all, and bring the spirits of your ancestors with you. Don’t worry, if you get a case of the SPOOKIES, our guest this week will hold your hand.

Claudia Cogan will be joining us on this unholy night. She’s top notch. She's been on Last Comic Standing 7 as a semi-finalist, been nomi

nated three times for an Excellence in Comedy in New York (ECNY) award and won the first ever Time Out New York Joke of the Year nod. Claudia is an alum of UCB Theater improv school and played on several house teams. She has performed at the Bridgetown Comedy Festival and at clubs and colleges around the country.

Come join Claudia and your regulars Sean “Spooky” Keane, Bucky “Puts the SIN in” Sinister, “Maniacal” Mike Drucker and Caitlin “GILLotine” for a night of good Halloween fun*.

*”good Halloween fun” may include getting possessed by Halloween demongoblins. The Business is not responsible for any damage to your soul incurred during “fun”.

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The Business October 24th 2012, The "Home Game Before The BIG AWAY GAME" Edition

Before The Business hits the BIG STAGE at Cobb’s Comedy Club this Saturday night the 27th at 8pm, we wanted to enjoy a night at our Dark Room home with a perfectly delightful guest. In fact, if you’ve had the pleasure of meeting her personally or have just googled the meaning of her name, you know she is a calm and powerful goddess.

Shanti Charan is a winner. She won 1st place in the 2011 Rooster T Feather’s Comedy Competition and participated in the 2011 San Francisco International Comedy Competition

where she advanced to the semi-finals. Charan was recently awarded SF Weekly’s 2012 Best Stand-Up on the Way Up. SF Weekly says Charan’s writing “is clever and confident beyond her years.”

She will join your Business regulars Alex Koll, Sean Keane, Bucky Sinister and Caitlin Gill for an adventure 65 million years in the making*.

BYOBurrito and BYO$5. If you want to bring a friend, that’s FREE! Just grab a 2-for-1 coupon here, which is also where you can learn all about our show THIS SATURDAY, 8pm AT COBB’S COMEDY CLUB!!

*actually a stolen tagline from Jurassic Park. We cannot promise Spielbergian thrills, but there will be a dilophosaurus hidden under someone’s seat. WHO WILL SIT ON A DINOSAUR, WILL IT BE YOU?!?

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Changing frequency of newspaper publication is not a sign of the apocalypse

The number of newspapers that have reduced their publication frequency in response to market changes and economic conditions continues to rise.

This year the Times-Herald in Newnan, Georgia shifted from 7 days a week to 5 days per week. The New Orleans Times-Picayune moved to 3-day per week schedule, as has The Patriot-News in Harrisburg, Pa., and many papers in the Advance Publications group.

In doing so, the papers are bolstering their digital publications and producing in physical form only on days that most interest retail advertisers. From the financial standpoint, these moves make a great deal of sense.

Reactions to the changes have ranged from disbelief to resignation in the journalism community. Many have bemoaned the loss of dailies and argued non-dailies cannot possibly serve their communities as well. That argument is problematic, of course, because there have typically been 3-4 times more weeklies than dailies in the U.S. and many have done far better jobs covering towns and neighbourhoods than dailies.

The assumption that 7-day per week publication is, and has been, the norm is another example of ahistorical and baseless views spread about the industry these days. In 1950 less than one-third of newspapers (549 papers) published a Sunday edition and the number with Sunday editions peaked at 917 in 2000, being published by just two-thirds of all papers. Saturday editions were not the norm until well after mid-twentieth century. The appearance of high frequency daily publication was fueled by the demands of advertisers.

If one considers the definitions of daily publication one finds that it is nowhere near 7 days per week. The internationally accepted definition of a daily newspaper is a paper published only 4 days per week.

This is not to say that the industry is without problems. The changes in publication frequency do reveal how the inordinate dependence on advertising revenue has shaped the industry and how wealth continues to be stripped from newspapers.

The changing frequency should be seen as part of the evolutionary shift toward digital only publication--a shift that is occurring at a varying pace in different types of papers and markets. But it does not mean that journalism in print, in print and digital combinations, and in digital-only forms cannot serve community needs.

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